Jean Lamore

from the self-portrait series "Lycantropia" spanning forty years and incorporating personal and political events

from the extensive body of work "Lycantropia" based on self-portraits and the incorporation of contemporary events, concept of Man/Animal

from the "Lycantropia" series incorporating self-portraits and political/personal events

Democracy Mask Political Cycle Scepter, Photo argentique, 2015, 30 x 24 cm

reference in the novel UQ11 Dawn's Improbability by Jean Lamore, 705 pages published 2012 Kiwai Media, the tongue is strengthened by performing pushups, it is the politician's tool requiring constant development

the Arabic noun "Man" (insein) and the verb "To Forget" (nesia) both having the same root

Arabic lettering for the words "Democracy" and "Jihad" with purple blend inter-zone

bronze, black patina and gold leaf, work done in collaboration with Nasa Hubble Space Telescope, collection ArianeEspace/EADS

this work accompanied by self-portrait with text on coming race war and the choice of sides

part of the sculpted work "Race War"

technique: sculpted mahogany and pygmy hunting shelter, created in the primary forest of the Central African Republic, part of body of work dealing with forest divinities and the rapprochement with the self

amuletic sculpture

reflection on the permanent condition of humanity, forever in conflict at some point on the globe

automobile destroyed by missile strike, formal relation with the folded/crumpled newspapers of the late 70s and early 80s

from the body of work on the Wall, related to the film "Building Oblivion", Jean Lamore 2007

private collection Milano

taking hostage self, cutting own throat

from the extensive self-portrait body of work "Lycantropia"s incorporating personal and political and political elements

accompanies the red wax bas-relief "Massacre des Innocents"

somatic dispersion series

Africa/Occident situational works, with cross-references to Jean Lamore's political interventions, published articles, interviews, debates, videos and the film "Building Oblivion"

created in the immediate aftermath of Sabra/Chatila

the first of a group of works dealing with Mercantile/Political cycles, Warfare/Finance

JEAN LAMORE

grande vasque, bronze, 1988

grande vasque, bronze, 1988